Available Now: Cellist Steven Isserlis in Lionsgate Music Presents: A Christmas Cure
Time & Location
About the Event
For many of us, Christmas is very different this year, especially for those facing medical hardships, our heroic NHS staff, and our professional classical music industry. We know it's a little harder to feel the magic of the season, so Lionsgate Music is bringing the spirit of Christmas to you! Sit back, relax, and enjoy this celebratory concert of traditional English Carols and classic music.
"A Christmas Cure" is a fundraising concert for Lionsgate Music's chamber music series specifically designed to uplift and support the well-being of NHS hospital staff, whilst aiding in the recovery and comfort of patients facing medical hardships in these historic times.
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About the performers:
Acclaimed worldwide for his profound musicianship and technical mastery, British cellist Steven Isserlis enjoys a unique and distinguished career as a soloist, chamber musician, educator, author and broadcaster. As a concerto soloist he appears regularly with the world’s leading orchestras and conductors, including the Berlin Philharmonic, National Symphony Orchestra Washington, London Philharmonic and Zurich Tonhalle orchestras. He gives recitals every season in major musical centres, and plays with many of the world’s foremost chamber orchestras, including the Australian, Mahler, Norwegian, Scottish, Zurich and St Paul Chamber Orchestras, as well as period-instrument ensembles such as the Orchestra of the Age of Enlightenment and Philharmonia Baroque Orchestra. Unusually, he also directs chamber orchestras from the cello in classical programmes.
Recent and upcoming highlights include performances with the Gewandhausorchester Leipzig, Vienna Philharmonic Orchestra at the Salzburg Mozartwoche; the US premiere of Thomas Adès’s Lieux retrouvés with the Los Angeles Philharmonic, following world and UK premieres in Lucerne and at the BBC Proms, and a further performance of the work in Amsterdam with the Britten Sinfonia, conducted by the composer; Prokofiev’s Concerto Op. 58 with the London Philharmonic Orchestra under Vladimir Jurowski, in London and at the Dresden Music Festival; and Haydn’s C major Concerto with the Orchestra of the Age of Enlightenment under Adam Fischer.
As a chamber musician, he has curated series for many of the world’s most famous festivals and venues, including the Wigmore Hall, the 92nd St Y in New York, and the Salzburg Festival. These specially devised programmes have included ‘In the Shadow of War’, a major four-part series for the Wigmore Hall to mark the centenary of the First World War and the 75th anniversary of the Second World War; explorations of Czech music; the teacher-pupil line of Saint-Saëns, Fauré and Ravel; the affinity of the cello and the human voice; varied aspects of Robert Schumann’s life and music; and the music of Sergei Taneyev (teacher of Steven’s grandfather, Julius Isserlis) and his students. For these concerts Steven is joined by a regular group of friends which includes the violinists Joshua Bell, Isabelle Faust, Pamela Frank, and Janine Jansen, violist Tabea Zimmermann, and pianists Jeremy Denk, Stephen Hough, Alexander Melnikov, Olli Mustonen, Connie Shih, and Dénes Várjon.
He also takes a strong interest in authentic performance. This season’s projects include a recording of the Chopin Cello Sonata and other works with Dénes Várjon for Hyperion, using ones of Chopin’s own piano; and a recital of Russian sonatas with Olli Mustonen. In recital, he gives frequent concerts with harpsichord and fortepiano. Recent seasons have featured a special performance with Sir Andras Schiff at the Beethovenhaus in Bonn, using Beethoven’s own cello; and performances and recordings (selected for the Deutsche SchallplattenPreis) of Beethoven’s complete music for cello and piano with Robert Levin, using original or replica fortepianos from the early nineteenth century. With harpsichordist Richard Egarr, he has performed and recorded the viola da gamba sonatas of J.S. Bach as well as sonatas by Handel and Scarlatti. This season, they tour together in the US.
He is also a keen exponent of contemporary music and has premiered many new works including John Tavener’s The Protecting Veil (as well as several other pieces by Tavener), Thomas Adès’s Lieux retrouvés, Stephen Hough’s Sonata for Cello and Piano, Left Hand (Les Adieux), Wolfgang Rihm’s Concerto in One Movement, David Matthews’ Concerto in Azzurro, and For Steven and Hilary’s Jig by György Kurtág. In 2016, he gave the UK premiere of Olli Mustonen’s of Frei, aber einsam for solo cello at the Wigmore Hall.
Writing and playing for children is another major enthusiasm. He has written the text for three musical stories for children – Little Red Violin, Goldiepegs and the Three Cellos, and Cindercella – with music by Oscar-winning composer Anne Dudley; these are published by Universal Edition in Vienna. He has also given many concerts for children, for several years presenting a regular series at the 92nd Street Y in New York. Steven Isserlis’ books for children about the lives of the great composers – Why Beethoven Threw the Stew and its sequel, Why Handel Waggled his Wig – are published by Faber and Faber, and have been translated into multiple languages. His latest book, a commentary on Schumann’s famous Advice for Young Musicians, was published by Faber and Faber in September 2016, and will be published in the US by Chicago University Press this season.
As an educator Steven Isserlis gives frequent masterclasses all around the world, and since 1997 he has been Artistic Director of the International Musicians’ Seminar at Prussia Cove in Cornwall, where his fellow-professors include Sir Andras Schiff, Thomas Adès and Ferenc Rados.
As a writer and broadcaster, he contributes regularly to publications including Gramophone, The Daily Telegraph and The Guardian, has guest edited The Strad magazine, and makes regular appearances on BBC Radio including on the Today programme, Soul Music, as guest presenter of two editions of Saturday Classics, and as writer and presenter of a documentary about the life of Robert Schumann. Most recently, he presented a documentary on BBC Radio 4 ‘Finding Harpo’s Voice’, about his hero Harpo Marx.
His diverse interests are reflected in an extensive and award-winning discography. His recording of the complete Solo Cello Suites by J.S. Bach for Hyperion met with the highest critical acclaim, and was Gramophone’s Instrumental Album of the Year and Critics’ Choice at the Classic BRITS. Other recent releases include the Elgar and Walton concertos, alongside works by Gustav and Imogen Holst, with the Philharmonia Orchestra and Paavo Järvi; Prokofiev and Shostakovich concertos with the Frankfurt Radio Symphony, also under Paavo Järvi; Dvořák’s Cello Concertos with the Mahler Chamber Orchestra and Daniel Harding; and recital discs with Stephen Hough, Thomas Adès and (for BIS) a Grammy-nominated album of sonatas by Martinů, as well as works by Mustonen and Sibelius, with Olli Mustonen. His latest recordings include the Brahms Double Concerto with Joshua Bell and the Academy of St Martin in the Fields, and – as director and soloist – concertos by Haydn and CPE Bach, with the Deutsche Kammerphilharmonie Bremen. Forthcoming recordings include a special First World War-inspired disc with Connie Shih, including works performed on a travel cello – now known as “the Trench Cello” – played in the trenches by WWI soldier Harold Triggs.
The recipient of many awards, Steven Isserlis’s honours include a CBE in recognition of his services to music, the Schumann Prize of the City of Zwickau, and the Piatigorsky Prize in the USA. He is also one of only two living cellists featured in Gramophone’s Hall of Fame. In 2017, he was awarded the Glashütte Original Music Festival Award in Dresden, the Wigmore Hall Gold Medal, and the Walter Willson Cobbett Medal for Services to Chamber Music.
He gives most of his concerts on the Marquis de Corberon (Nelsova) Stradivarius of 1726, kindly loaned to him by the Royal Academy of Music.
Dawn Hardwick is an experienced concerto soloist with a varied repertoire – from more traditional piano concertos to contemporary collaborations and experimental music. Most recently, she performed John Psathas’ double concerto ‘View From Olympus’ with percussionist Dame Evelyn Glennie and the British Sinfonietta to great acclaim, also appearing with Dame Evelyn at the Southbank Sky Arts Awards, broadcast on the Sky Arts channel, and on BBC One’s ‘The One Show. Well-established as an orchestral and chamber musician, she regularly works with the UK’s most respected orchestras such as the Royal Philharmonic Orchestra, Philharmonia, Ulster Orchestra and Britten Sinfonia and London Sinfonietta, both at home and abroad. Dawn has been involved in many radio and television broadcasts, such as James May’s ‘Man Lab’, the BBC Proms, and countless appearances on BBC Radio 3. She was the pianist for English Touring Opera’s Olivier Award-winning production of Tippett’s ‘King Priam’ and has recently been working with animator Gregoire Pont on ‘Cinesthetics’, a concert of the solo piano music of Ravel set to live animation, in association with Maestro Arts.
Australian-born and living in London, Patrick Savage was Principal First Violin in the Royal Philharmonic Orchestra in London for several years and continues to regularly lead the Royal Philharmonic Concert Orchestra. For several years he was also first violin in the Tippett Quartet. Patrick is now a free-lance concertmaster, soloist, session player, and West End musician. As guest concertmaster, he has worked with many orchestras including the Deutsches Symphonie-Orchester Berlin, the Australian World Orchestra, the Liverpool Philharmonic, the Melbourne Symphony Orchestra, and the Royal Scottish National Orchestra. As a soloist Patrick has appeared with many orchestras in the UK including the BBC Concert Orchestra and the Young Musicians’ Symphony Orchestra. For several years he was the leader of the Tippett String Quartet, an ensemble acclaimed by the Daily Telegraph in London as promising to make “a significant contribution to the realms of chamber music”. The Tippett Quartet especially championed contemporary composers, undertaking many world premieres and appearing regularly at the Wigmore Hall and Purcell Room in London.
Lionsgate Music is a Registered Charity in England and Wales
- Livestream - One Per User£15+£4.20 CS Fee£15+£4.20 CS Fee0£0
- NHS Hero£15+£4.20 CS Fee£15+£4.20 CS Fee0£0
- Musical Memories£15+£4.20 CS Fee£15+£4.20 CS Fee0£0